“Ashura”
Dempatoo YUTAKA BONTEN
豊梵天 “阿修羅”

by GAIN

身体のラインとのバランスを見極め、しなやかに躍動する阿修羅を描き上げた横浜DEMPATOOの豊梵天氏による背中抜き彫り。帝釈天と戦った悪鬼神であるとの認識から怒りに満ちた相貌で表現されることが多いが、元来は善神であるため興福寺の阿修羅像のように慈悲深い表情を取ることもある。美しく鮮やかな発色だが、これには肌を傷付けずにインクを正確に皮下に残す技量が求められることは言うまでもない。

Yutaka Bonten of Dempatoo has completed an awesome nuki-bori back piece of supple and dynamic Ashura, which fits the form of the client’s body. Ashura is often portrayed with an angry expression because they are recognized as a demon god who fought against Taishakuten, but as they are originally a good god, sometimes portrayed with a benevolent expression like the statue at Kofukuji Temple. The very colorful and vivid result is shown here and it goes without saying that this requires skill to leave the ink precisely under the skin without damaging the skin.

阿修羅の起源は古代ペルシャにまで遡り、元々は恵みをもたらす善なる太陽神であったが、時代の変遷と共に戦いに明け暮れる悪神という全く異なる性格が与えられた。仏教に取り入れられてからは釈迦を守護する八部衆の一柱となる。三面六臂の姿が一般的であるが、顔や腕の数の異なる仏像や絵画も存在する。
The origin of Ashura dates back to ancient Persia. They were a good sun god who brought blessings, but as time went by they were given a completely different character as an evil god who spent all his time fighting. After being adopted into Buddhism, they became one of the eight gods who guard the Buddha. The three-faced, six-armed figure is common, but there are also statues and paintings with different numbers of faces and arms.
※DEMPATOO 豊梵天氏のインタビュー記事はこちら
氏の最新の動向はインスタグラム
※See Dempatoo Yutaka Bonten’s interview here
And see more of her work on Instagram

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